It's Curtains Mods (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
stagemanagers) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
itscurtains2021-06-19 11:34 am
stagemanagers) wrote in itscurtains2021-06-19 11:34 am
second trial
[As the investigation ends, you'll hear Hester's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
cw: suicide note
These were in one of the lockers. Connor's clothes from yesterday, this bottle, and this. [He slides out a folded piece of paper and opens it up, revealing a typed note.] It's a suicide note addressed to Evan Hansen.
[At this, Angus furrows his brow.]
But from what I heard, Connor did not remember having him as a friend yet.
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Cw: suicide, cw: Evan Hansen
Cw: suicide, cw: Evan Hansen
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cw suicide
Re: cw suicide
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Mods (i'm sorry)
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And we can probably all agree
That anybody who met Connor feared this
Lethality
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She stares at where her podium is and where Varian's is... ]
...I don't wanna.
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Mods
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She does cast a quick glance to Janis, of course, but... other than that, she's deadstill and waiting. She has nothing to offer yet for the trial so... she's just on guard for now.]
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cw: suicide imagery, injury to the wrists
I guess... we should go over what we know. [ he says, hollowly. ] When I was looking over - the body, after everyone had left - it didn't look like there was a fight, or that he was taken by surprise. His wrists were cut, in a really deliberate way, and there was a paring knife on the floor. It looked like he'd dropped it? I think... I think between this and the note? We might have to consider if it's possible that Connor took his own life.
[ Orpheus swallows, hard, going quiet for a moment before continuing. ]
But it's strange. There was barely any blood on him or on the floor or the bench, and, um. Wrists bleed a lot. If he bled out, where's... where's the blood? One of the showers had been used, before any of us got there, and his hair was damp, and there were two wet towels in the hamper? I think someone must've found him before Peregrine, and cleaned up his body before we got there.
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cw: suicide discussion
cw: suicide discussion
cw: suicide discussion
cw: suicide discussion
Re: cw: suicide discussion
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cw: suicide discussion
cw: suicide discussion
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cw: suicide, suicidal ideation
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mods
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cw suicide discussion
cw suicide discussion
cw suicide discussion
cw suicide discussion
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cw suicide discussion, past suicidal ideation
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Cw: suicide
Cw: suicide
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Then, the pictures set up around them. Hm.
She has no evidence to present, but she's here. And she'll be here for the rest of the trial, standing guard.]
Catherd-MTB; Analyse
A self-fulfilling prophecy of endless possibility
In rolling reams across a screen
In algebra, in algebra
The fences one cannot climb
The sentences that do not rhyme
In all that you can ever change
The one you're looking for
It gets you down
It gets you down
There's no spark
No light in the dark
It gets you down
It gets you down
[And now, by the stage- it spins around and looks at the others]
Answer me this, all of you; strip away all emotion. Look at this logically, if you even can. Explain to me, in full, what happened last night.
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cw suicide dicussion
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cw suicidal imagery
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VOTING
[
write-in votes for Evan Hansen are acceptable](no subject)
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Re: VOTING
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EXECUTION: WHAT HAVE YOU BECOME?
Transformation
You've changed within
Some selfish mutation
A stranger they once called a friend
[The green curtains draw open to reveal the stage has been completely reset from Elisabeth’s execution. Instead of a Viennese ballroom, it’s been redressed to look like a school carnival. There are several simple stands sitting empty, built up with signs reading “Cotton Candy!” and “Soda!”, others with cheap-looking stuffed animals hanging down from their roofs. In the center of it all is a dunk tank. It appears to be a pretty standard dunk tank, with an outstretched bright red bullseye and a seat stretched out over a tank of deep red, carbonated liquid.
And there, with its hands cuffed to the metal seat and struggling against its bonds, is the SQUIP. It looks down at the liquid, eyes growing wide, and for the first time a hint of fear enters its expression.]
What have you become?
What have you become?
What have you become?
[While the SQUIP distracts itself by trying to free its hands, two figures enter from stage left and stage right, one wearing a blue hoodie and the other in a red hoodie. Both have their hoods pulled up to obscure their faces and when they meet in the middle they share a high-five before turning their attention to the dunk tank and, more importantly, the bucket of baseballs between them.
The SQUIP looks out at them, its brow furrowing in confusion, before focusing even more of its attention on wresting its hands free from the bonds.]
Isolated
Some foreigner in new skin
Some broken barbarian
Did you ever mean to be so dark and cold
[The two teens pick up a baseball each and, as if they’re listening to Hester sing, start mechanically throwing them at the bright red bullseye on alternating verses. One, two, one, two. None of them make contact but that doesn’t stop the growing tension in the air as the SQUIP’s struggles intensify, yanking to the point where it’s visibly cringing in pain. Almost, almost, it’s so close-
One hand finally slips free. The SQUIP starts to make a sound, possibly of a shout of triumph, but just as it does there’s a loud thunk of a baseball hitting the target. The seat drops, sending the SQUIP plummeting into the tank of Mountain Dew Red. It’s entire body convulses on contact with the liquid, jerking like it’s being shocked before eventually going still and floating lifelessly in the tank.]
What have you become?
What have you become?
What have you become?
[The red-hooded teen walks behind the tank and comes back a few moments later holding a massive stuffed giraffe under one arm and a thick black cord, all wires exposed and sparking, in the other. They drop the cord to pick up the empty baseball bucket and pass the giraffe to the teen in blue. The two teens put their free arms around each other’s shoulders and walk off-stage together.
The curtain closes and in the distance the doors in the back of the house click unlocked. You are now free to go.]
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