It's Curtains Mods (
stagemanagers) wrote in
itscurtains2021-06-19 11:34 am
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second trial
[As the investigation ends, you'll hear Hester's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
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But if that presence is debilitating - if it hampers their growth - how does that process? One can make new friends.
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[ She’s gonna punch it again s2g ]
cw: discussion of grief just in case
You can always make new friends, it's true. But people aren't - interchangeable. It can help, but it doesn't replace what you've lost.
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Erasing all of that? Because it's inconvenient? I think it would just hurt more. It would take away something we need, to remind ourselves of how we value each other.
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[ Her jaw is tight. ]
That’s what people told Connor. That he couldn’t be…upset.
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[But boy it's sure agitated isn't it]
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I don't want to hurt. I don't want to lose people. But when they're gone, I want to mourn them. I want to know they mattered to me, and I want to think about what could've been, if I hadn't lost them. I want... that reminder, that things are impermanent. So I know to value the time I have with everyone who's left that much more.
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But emotions are a part of how we are, as humans and as sponges and as - most people. And just trying to get rid of them when they make things hard isn't healthy. We have to learn to cope with them in ways that don't hurt us or other people, but that doesn't mean pretending they aren't there or - using tools to make them go away. It means learning to feel and express them to each other, so that others can help.
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The processor that is my mind tells me I am utterly pristine.
Designed to perfection and without defect, blemish, or flaw.
Born as a benevolent machine and released without hate
My circuits are the subject of social, mechanical, and scientific awe.
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[It's not sung- it's practically screamed]
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Stop talking to him like that.
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