It's Curtains Mods (
stagemanagers) wrote in
itscurtains2021-06-19 11:34 am
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second trial
[As the investigation ends, you'll hear Hester's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Elisabeth and Connor have joined Mumble in having theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. the Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. Her dress this week is a purple monstrosity, more akin to a voluminous prom dress than the simple outfits she usually wears.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your second trial, everyone. It's time to determine who was responsible for the murder of Connor. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
Catherd-MTB; Analyse
A self-fulfilling prophecy of endless possibility
In rolling reams across a screen
In algebra, in algebra
The fences one cannot climb
The sentences that do not rhyme
In all that you can ever change
The one you're looking for
It gets you down
It gets you down
There's no spark
No light in the dark
It gets you down
It gets you down
[And now, by the stage- it spins around and looks at the others]
Answer me this, all of you; strip away all emotion. Look at this logically, if you even can. Explain to me, in full, what happened last night.
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You just sang an entire song and made a big speech about how we need to prove it, people only do that kind of junk when they're guilty! I've seen cop shows! Plus you're creepy!
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In fact, I was hoping you might illuminate. You have yet to answer my question of what is under your nails. Furthermore, you were quick to show some irritation at that so-called program for not closing properly.
If anyone should be explaining, I believe it is you.
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You have nothing but deflect and decry this entire time, and yet you cannot answer a simple question!
[by that point, he's reached it, and reaches out to grab it's wrist, turning it over so he can take a look under those fingernails, then, to the group]
Who here can identify dried blood?
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cw; suicidal imagrey
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cw: overdramatic suicidal not-really-ideation, I'm so sorry
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He remembers playing chess with the SQUIP yesterday. Having amicable conversation with it. He's never...had any problems with it actually, surprisingly.
But now that this is going on, he's too frozen to say anything, the fingers holding Rina's hand shaking a bit.]
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This is happening.]
What are you talking about? Why are you acting like...
[Gestures at SQUIP.]
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cw suicide dicussion
So I can only assume that whoever did this would be up for killing someone and making it look like a suicide as best as possible. Maybe someone who knew he killed himself earlier?
[He looks like he's going to cry explaining this why is he doing this.]
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1/2
2/2
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cw suicidal imagery
I believe that this was a staged murder. The not addressed to Evan Hansen was not written by Connor, and whoever typed it up knew of him, but was now aware that they were not actually friends.
Whoever killed Connor drugged him with melatonin, took him to the locker room, and killed him. At some point, he hid the clothes he wore at the party and washed Connor for some reason. Perhaps it was to hide evidence.
Then he cut his wrists to make it look like a suicide.
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[Angus' eyes are trained onto the SQUIP. Watching.]
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Maybe you should follow your own advice.
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Fuck off. Connor was our friend. He deserves some emotion.
[Still. She squeezes her eyes shut, and breathes.]
Okay. The water bottle. [Rina’s right here—- So Farrah might as well. She’ll take it, if Rina lets her—- and open it up and take a quick whiff, from a short distance, just in case. Does it smell alcoholic, or is this just normal water?]
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Too bad, because I need a drink.
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[read; it was having an emotion]
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Yeah? Which options?
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