It's Curtains Mods (
stagemanagers) wrote in
itscurtains2021-07-02 11:58 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fourth trial
[As the investigation ends, you'll hear Hester's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Varian and Salieri, side by side, now have theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. The Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. There's no flashy costume this time, just a plain black dress belted with green satin around her waist. She sits in her seat with her head down and her hands in her lap like she's trying to make herself as small as possible. As if, if she tried hard enough, she could just disappear despite the lights on her.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your fourth trial, everyone. It's time to determine who was responsible for the murder of Salieri. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Varian and Salieri, side by side, now have theirs draped in black crepe and with a framed monochrome photo of them on top.
When you reach the podiums, the lights above the stage finally come on. The Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. There's no flashy costume this time, just a plain black dress belted with green satin around her waist. She sits in her seat with her head down and her hands in her lap like she's trying to make herself as small as possible. As if, if she tried hard enough, she could just disappear despite the lights on her.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your fourth trial, everyone. It's time to determine who was responsible for the murder of Salieri. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
no subject
...Please... if this was an accident please whoever did it speak up now. I promise I won’t be mad
no subject
But if you tell me now I might hurt you less.
no subject
Is it really fair to make those kinds of threats? Everyone was ready to condemn the person who killed Rina, but when we found out the truth, everyone's feelings changed. Maybe... this is the same situation?
[She'd wanted to bring that up to Benjamin, too, but... uh. He's honestly kind of scaring Elsa right now.]
no subject
no subject
I don’t care which one of you did it. I’ll destroy you. [Shes scanning the room, making uncomfortable stares at literally every person there.]
no subject
no subject
[God, Elsa hates herself the minute she says that. She doesn't mean to use Varian or Rina like that, but this is just. It's the same thing as last week. As when Mumble died. They can't just... make assumptions, or think that someone deserves to die for what might very well be an accident.]
Farrah, I understand how much you're hurting. Really, I do. [Seeing Anna frozen out on the cold fjord, forever trapped in one last moment of protection for a sister who only shunned her for years, feeling any sense of life or purpose draining out of her as she held her unmoving sister for the first time since they were children. The one thing she'd kept on living for...] But if this was all some tragic accident, again, we can't just... write someone off as a monster for this...
no subject
no subject
You don’t understand! No one does! Only he did—- You have no idea what it’s like! [She jerks her eyes upward, to the bubble, staring at her with a cruel intensity.]
He believed in me, the first person—- he loved me when no one else did! Before any of you! He made me think I could be more than a hopeless loser girl who no one understands no one understands, said I could be better, better—-
[She turns her gaze, fierce and unyielding back upon the rest of the room.]
One of you took my dad.
no subject
Peregrine does understand. Not exactly. But she understands this.
It's why she knows anything she says will fall on deaf ears. Because you have to fuck up yourself, irrevocably, to realize what you're doing. So when Farrah looks at her, Peregrine just averts her gaze. ]
no subject
Enough that he reaches over and puts his right hand on her back, quietly supportive but enough for her to choose if she wants more or less, and leans close to murmur to her:]
He wanted you to be able to live. The only way forward now is to work together to make the murderer pay for this.
no subject
[God. No matter how better things got for them after her coronation, Elsa will never forget, until the day she dies, that the first time she was able to hold her sister after thirteen years was after she'd died. It's a scar that will never heal, and no matter how many times she sees Anna's smiling face now, she'll always see her scared, worried, frozen expression in her nightmares.]
We'll find out who did this. But we can't just assume that this was intentional, or they're not hurting as much as we are... for all we know, whoever did this might be hurting as much as we are.
no subject
But she can do one better: reaching across to the other woman, putting a firm hand on her shoulder and giving it a gentle squeeze.]
no subject
Later. She'll... she'll talk later.]
no subject
no subject
He was laid out on a length of cloth from the costume room. Almost respectfully. I don't... I don't know if it was an accident, Spongebob. But whoever did this...
[ He can't finish the sentence. Was it respect, really? He doesn't know. ]
no subject
[As for the rest of the group, though...]
no subject
[ He shakes his head, biting down on his lip to fight back tears. ]
no subject
Why would they do that. Why would they want us to find him like that.
no subject
no subject
The cloth underneath him had absorbed a lot of blood, so he clearly was still bleeding when he was laid out on it. Which means he was either carried on it, or it happened close by. But there should be blood somewhere else... Even with the blade still in the wound, it would have gotten everywhere.
[It did get. Everywhere. Looks at Benji and Farrah and everyone else who was practically rolling around on stage with the dead body.]
no subject
no subject
no subject
We will figure this out, Onii-san. I promise.
no subject
Oh... that’s a new word for him.]
Onii-san...?