It's Curtains Mods (
stagemanagers) wrote in
itscurtains2021-07-10 12:07 pm
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fifth trial
[As the investigation ends, you'll hear the Wizard's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Discord, Elle, Orpheus and Eurydice now have theirs draped in black crepe and with a framed monochrome photo of them on top. At Maya's podium is a stool with a fresh amaryllis flower carefully set on it.
When you reach the podiums, the lights above the stage finally come on. The Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. She's still in her pretty pink prom dress, her hair restyled and make-up freshened to not be so messy from sleep. It's also worth noting the blood on her skirt from when she assisted in helping Maya with her injury is gone.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your fifth trial, everyone. It's time to determine who was responsible for the murder of Elle, Orpheus and Eurydice. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name. Discord, Elle, Orpheus and Eurydice now have theirs draped in black crepe and with a framed monochrome photo of them on top. At Maya's podium is a stool with a fresh amaryllis flower carefully set on it.
When you reach the podiums, the lights above the stage finally come on. The Wizard is once again waiting for you. Beside it Hester is slowly lowers in on her bubble. She's still in her pretty pink prom dress, her hair restyled and make-up freshened to not be so messy from sleep. It's also worth noting the blood on her skirt from when she assisted in helping Maya with her injury is gone.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your fifth trial, everyone. It's time to determine who was responsible for the murder of Elle, Orpheus and Eurydice. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
cw: suicide threats
She stands just feet away from Maya. Her goal was to make sure her wounds didn't open back up. Now she can't do anything but stand there frozen. ]
cw: suicide threats
Now, if you're all done yelling at the Wizard, can we please put an end to this. [Her eyes skim the gathered crowd.]
One way or another, I will die here. I am not letting anyone else die because of me. So spare your votes of mercy for someone who deserves it.
[She looks up, first to Hester, then to the Wizard.]
Please. Let us put an end to this.
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[He looks at Maya, pulling the razor to her neck.
He remembers how Maya looked last night, so happy and full of life.
He remembers Wednesday, how Maya was scared out of his mind that he could be dying.
He thinks about himself, how he was sure that his only two options were dying in a murder, or dying alone and afraid in the school.
He sees too much of himself in her.
Spongebob gently approaches her, as if will combust if he moves too suddenly.]
Maya please, I can't lose you too. I can't let you die, not after everything.
cw: suicidal thoughts, suicide threats
She presses the blade against her neck, enough to sting and draw a faint trickle of blood.]
The only reason I went through with this, pretended to be a victim, was to ensure I could be on stage with the Wizard. I wanted a chance to strike him down after what he put me through.
I will die anyway, Spongebob. At least let me go down fighting.
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Pretended? ]
I thought I saved you.
[ She's not shouting. She's not fighting. She's just...raw. ]
But- but it was... It was...all to...
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I did not expect the Wizard would let me up there without a believable trial. But -- [She makes a face. Maybe a rueful smile.] I would have bled out all the same, if not for you.
You did save me. Just... not for very long.
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[ It's still small. Still rough. ]
Did you...know I would...
[ "It's like I'm a curse—" ]
Did you—
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And then it's like a switch flicks in her head. And she's yelling. ]
Did you prepare for it?! Did you lay outside our door so we could find you, so we could think— so we could find you, and save you, and lose you all over again?!
Did you for a single second think about what this would do to us?!
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Her smile is sad.]
I have always been a selfish woman. And you have always been so smart. [A shaking breath.]
That's exactly what I did.
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Well, he's not shaking anymore, but he's holding the Gloryhammer and not looking at anything in particular.
At least that's better?]
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[ I love you.
Peregrine takes a step back. It's shaky. But she takes another, and it's more steady. And another.
"And never forget to believe in the strength of this bond. It will hold us together, I promise."
And another.
I hate you. ]
I never should've trusted you.
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He doesn't move, or say anything else. There's nothing left alive inside of him.]
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She's willing to wound herself to get the chance.]
You really do take your performances seriously.
[Cass feels sick.]
A good warrior... wants to go down fighting. But we could have tried to save you. We... we just want to do something.
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...So, is that it? We just... go from here? Trying to do this, all on our own?
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[She can't name names but. She knows Nana can do this.]
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It was a pretty often occurrence for Spongebob to desperately hope that this was a terrible dream. That this was an intense nightmare and that any moment he'll wake up and everything will be fine.
At this point, Spongebob's pretty sure he's been sent to hell. He's not sure what he's done in live to deserve it, but he's sure at this point.]
But... but I'm your older brother, Maya. I'm supposed to protect you, that's my job.
If I can't protect you, then what...?
[The tears flow too heavily for him to finish. His throat feels like it's closing in on itself.
He feels like his whole world is closing in on itself.]
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Please.
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Why was he so bad at helping his sisters?
Eventually, he finds his words again.]
I... I'll find a way to bring you back, Maya, I promise. I don't care if it takes me the rest of my life. I'll bring you back, and everyone else. And then we're going to be happy together.
I don't care if you don't think you're worth saving, I'm gonna do it anyway.
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Maybe if I'd been a little bit braver
Maybe if I knew how to fight
But maybe isn't gonna let me save her
Maybe doesn't make this alright
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I can't lose another daughter. I can't do this! Maya, please...
cw: suicide threats
Angus wants to trust his friend. But that phrase - pushed a dying woman to her death - will not leave him be. There is too much he wants to say, but no time.]
What will I ever tell your friends when we escape?
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I have left letters in my locker. Let it be in my words.