It's Curtains Mods (
stagemanagers) wrote in
itscurtains2016-10-22 12:25 pm
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First Trial
[Just as everyone is starting to finish their investigations, there's a slow ominous sound from the lobby.
The gilded doors on the northern wall have opened.
This time, the space behind them is lit; you're free to enter. There's one more set of doors to pass through, and then you're all, finally, in the House. There's one grand chandelier above, glittering crystal, and the seats around you are made of fine red velvet. Those don't seem to be for you, though - all the way down in front of the stage, where the orchestra might sit, there's a circle of wooden podiums. They're arranged so that everyone can face each other, and are fixed into place. Each one bears a metal plaque with a cast member's name engraved on it. There's also a metal panel on top, with twenty ivory buttons paired to everyone's name.
Among these, only Jean Valjean's podium is different - that one is draped in black crepe, with a larger greyscale version of his headshot from the playbill framed and sitting at its foot like a funerary portrait. Standing where he might have stood, a bare lightbulb glows faintly atop a metal pole.
Right here, you're very close to the stage. But the curtain is closed, and it's a little too high to easily clamber up. You may not want to try. You've got more important business right now, after all.
As everyone is finding their places, the Balladeer's voice suddenly sounds loud and clear throughout the space.]
Okay, guys, here's how we do trial. I've...never actually been involved in something like this before, but you can do it. Just take all the time you need to talk it out - I'll be right here the whole time. You don't need a unanimous vote, we go by majority rule.
Oh, and don't mess with those buttons until you're really ready to vote. You won't be able to take it back.
...good luck.
The gilded doors on the northern wall have opened.
This time, the space behind them is lit; you're free to enter. There's one more set of doors to pass through, and then you're all, finally, in the House. There's one grand chandelier above, glittering crystal, and the seats around you are made of fine red velvet. Those don't seem to be for you, though - all the way down in front of the stage, where the orchestra might sit, there's a circle of wooden podiums. They're arranged so that everyone can face each other, and are fixed into place. Each one bears a metal plaque with a cast member's name engraved on it. There's also a metal panel on top, with twenty ivory buttons paired to everyone's name.
Among these, only Jean Valjean's podium is different - that one is draped in black crepe, with a larger greyscale version of his headshot from the playbill framed and sitting at its foot like a funerary portrait. Standing where he might have stood, a bare lightbulb glows faintly atop a metal pole.
Right here, you're very close to the stage. But the curtain is closed, and it's a little too high to easily clamber up. You may not want to try. You've got more important business right now, after all.
As everyone is finding their places, the Balladeer's voice suddenly sounds loud and clear throughout the space.]
Okay, guys, here's how we do trial. I've...never actually been involved in something like this before, but you can do it. Just take all the time you need to talk it out - I'll be right here the whole time. You don't need a unanimous vote, we go by majority rule.
Oh, and don't mess with those buttons until you're really ready to vote. You won't be able to take it back.
...good luck.
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[D-ne looks at Natalie, one hand at her red ribbon. She's fighting a lot less than with Astarte, or Javert.]
How...do you know I didn't use them all to get what I wanted?
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[a pause.]
Is there even a part of you that regrets this, or has it all been a lie?
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[She has to narrow her eyes. They're very strained, and they start to water again.]
I've... I've only lied twice before today, Natalie. You know one time. The other, ah...
[She breathes in tight and looks down at her hands.]
What I thought could be a dream, amazing fantasy- no escape andnowI-
Leaped into the fire of this nightmare willingly- "I've just me to blame."
Trusting in a wish, that couldn't guarantee-
All I wanted was to stop that Game from what it-
Wake up from this dream now, wake up me, come ONNNN!
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10,000 years has taught me,
wishes are for children and dreamers.
If you are a dreamer,
Then enlighten us!
D-NE!
Tell us your dream!
There is nothing to gain anymore
now that you have nothing to show.
[She will reprise you and surprise you, D-ne!!]
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Running in circles won't get you through this, squabbling, squabbling and tripping yourselves up.
Don't you understand what's at stake now? "If you don't vote right then everyone here will die!"
A missing contact doesn't implicate me, and I'll tell you why, listen carefully!
"We can probably ignore the weakest," and you can test, besides he was so much bigger,
And didn't you all see? I've no mark, or injury to speak of,
Explain what I did, just what you think I did,
Otherwise your "proof's" just coincidentally!
I became a monkey who imitated, to hold close the person I so loved.
All my wants, all my hopes, that resounded inside me, the Paw gave me my way to obtain all that!
If I did this crime, there'd be no reward, I could last a month, why can't you see?
Tell me why, you can try, to pin his death on me, but this unhappy object seals my one true alibi!
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Your injuries could have been healed some how. The discussion has come up more than once already.
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Want to enlighten me of how my "injury" could be healed? Want me to remove my clothing again to remind you? I have not been harmed.
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If what you are saying about the wishes is true, you could've wished away the injuries.
[how are they having a serious discussion about magic he doesnt know but he has to work with what hes got]
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...I received the Paw from the merchandise booth earlier this week. You can ask Natalie. It had no more power left.
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And maybe you speak truthfully, about no wounds now
But if you have a monkey's paw
if you are the monkey
whatever you or it might be
Perhaps then, one final favor?
a small one, to cleanse yourself of injury?
You have contacts, and if your contact fell out in battle, no doubt, with the little time you had you'd have no time to come back and get it before others awoke. It could also explain why the death wound was so clumsy, would it not?
And - the man you killed was praying, and old, he'd have little time to get back and fight you, a younger and faster opponent.
Whatever you might say, your contact puts you in the area Jean Valjean was killed. Funny, how you never mentioned you'd lost that contact before your deception arose.
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"Jean Valjean is supposed to be stronger than other men, and so physically should appear robust." From just looking at him and myself, you should have all been able to tell, there is no way I could win in a fight against him.
As for my contact? After half of you assuming it had to belong to the murderer, why would I speak up? You would jump on me, like you did now.
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As I've said. Supplicants do not always fight back. And given his past, do you really think he'd want more for the Inspector to hold against him, fighting a young girl like you?
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Astarte-san, or Astarte-san's Impostor, why would let someone kill them?
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Isn't that your dream, Miss D-ne?
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[ and boy does Hans know about this one ]
Tell me, D-ne, was your love unrequited?
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[ He's still having trouble wrapping his head around the girl thing, I'm sorry. ]
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