It's Curtains Mods (
stagemanagers) wrote in
itscurtains2021-06-12 12:00 pm
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First Trial
[As the investigation ends, you'll hear Hester's voice inviting you to the auditorium. As this happens, the twin doors on either side of the concession stand, across from the gym, will click open. You can enter on either side; both go to the same place.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name, save for Mumble's, which is draped in black crepe and has a framed monochrome photo of him - Elijah Wood him - on top.
When you reach the podiums, the lights above the stage finally come on. It's time to meet the Wizard.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your first trial, everyone. I am the Wizard. It's time to determine who was responsible for the murder of Mumble. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
When you enter the auditorium, it's dark. There's only the small lights along the walkway behind all the seats, just enough to illuminate where you're going. There's a central path between the seats, down towards where you know the stage must be. That's where you must be going, right? As you pass each row of seats, the lights at their ends flick on, marking your procession and slowly making more and more of the room visible. Shortly, you can see your destination: a circle of podiums stationed in the orchestra pit, below the lip of the darkened, curtained stage. They're all identical, labeled with a cast member's name, save for Mumble's, which is draped in black crepe and has a framed monochrome photo of him - Elijah Wood him - on top.
When you reach the podiums, the lights above the stage finally come on. It's time to meet the Wizard.
The mechanical head, with glowing green eyes, is installed above the stage and the still-closed curtain. Even if you were standing on the stage, it'd be well out of reach. It peers down at all of you, its motions fluid, and speaks with a booming, artificial-sounding voice:]
Welcome to your first trial, everyone. I am the Wizard. It's time to determine who was responsible for the murder of Mumble. Feel free to talk amongst yourselves and work together - you'll have to show teamwork if you want to leave this room alive.
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Madame Elisabeth. [hsi voice is strained, cracked]
Madame Elisabeth, you didn't...
cw: ptsd-ish flashback [1/2]
....fix this......
...whoever did this to you-I don't-just...don't move, just stay...stay here, monsieur, you'll be...
...
y-you'll be...
[No one else can see it, what she's seeing. But they will see the tears start to stream from her eyes.]
[2/2]
...................................
[A shaking mouth slowly goes to her mouth, and a sob comes from it.]
God no, no, no...!
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Hold her. She is going to collapse.
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His own eyes are wide and he's gone very pale, and there is absolutely fear and shock written on his face]
Madame Elisabeth, you---[he can't say it. He cannot say it. He can only pull her closer, one hand going to her hair, clasping her to him]
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The body of...of Mumble.
Of that boy. That good boy who no one had any reason to kill.
Including her. Especially not her.
For now, all she can do is let her head fall into his shoulder to weep. She knows a reckoning can't be postponed. Not indefinitely. Not forever.]
How could I have forgotten...!?
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What is it? What...what did you forget?
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[As with everything else? It's matter of fact. But there is the barest hint of pity.
Human minds...so flawed.]
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Oh, well. ]
...But what they didn't know was...
[ Peregrine closes her eyes tightly. ]
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[Oh. Oh no. Oh no.]
You don't think...
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He turns to look at the Wizard, and points at Elisabeth. ]
Look at her! She was trying to help him! [ he shouts, furious and heartbroken. ] You keep saying it has to be done this way but it doesn't! This is all your fault!
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He mumbles something to himself, far too low for anyone to hear.]
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...Come on, lad. [As gently and sympathetically as he can.] We need you up, now.
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I can't.
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[He rubs Spongebob's arm, from elbow to shoulder, in soothing motions. Orpheus' voice, clear as a bell and mournful as a churchyard, is nonetheless strengthening.]
It's our duty to carry on, now. No matter what happens.
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You toy with us like we're your dolls
Like ants below you one and all
But we'll get out of here alive
These walls, these walls won't close us in
Oh, where do we begin our dismantling?
We call on all to sing
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He murmurs under his breath, not loud enough to be heard by the entire place, but anyone near might. He doesn't really intend to join in the louder voice, as much as he wishes his cowardly heart would allow it.]
...Still, though, whatever it takes
I'm gonna fix it, just watch me...
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His voice, rich and dark, joins in below Orpheus' melody with a low, rumbling La, la la la la la...]
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But she doesn't know if she can.
Alone, alone, alone... ]
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But then Orpheus sings. It doesn't... it doesn't make the hurt stop, or even lessen. But it's like a light in the dark, something to cling to as everything around them is being weighed down. She hears some of the others singing, and she hears Benjamin; right, that... that was the tune Orpheus sang when they first met. The song he used to help the plant grow.
She'll join in, then. Her voice lighter than the man's, closer more towards Orpheus, but the la, la la la la la still distinctly comes from her.]
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There's gotta be a better way
A way to save the life I love...
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